Lagune Ouest

Viva voce (Honey, I'm home). Emilie Bausager, Kåre Frang, Erik Hällman, Asta Lynge, Elisabeth Molin, Sara Sjölin, Mathias Toubro, Peter Wäcthler. December 14, 2022 - January 7, 2023

All I can tell you is that the story contains the following elements: a house, a shelf, phone screens, cigarettes, words, candy, pigment, stained glass, a rat, and the sound of eurodance.

Maybe not exactly that way. It differs slightly from the first version but whatever… We might have lost some words in the translation proces but we might gain some new meanings we didn’t think of before. I suppose this is more fitting for now.

Sara Sjölin: Feeding Eva detail). 2017. Video with sound (3’25”), wooden cabinet, plastic lid frame, 23” TV, sheet, toilet roll, wire. Edition of 3 + 1AP. 68,5 x 74,5 x 25 cm

Sara Sjölin: Feeding Eva detail)

Asta Lynge: Extension. 2022. Foamboard, glue, edible flowers. 27 x 230 x 24,5 cm

Asta Lynge: Extension (detail)

Erik Hällman: Untitled. 2022. Kasein, pigment, oil, glue, screws, found and bought metal, plastic, wood, textile and cardboard on plywood. 41,5 x 85 cm

Kåre Frang: Attention Crisis. 2022. iPhones, varnished candy, hot-melt glue, epoxy, ice cream sticks. 39,5 x 38,5 x 39,5 cm

Emilie Bausager: Honey, I’m home. 2020. Glass, patinated tin. 132 x 11,5 x 10 cm

Peter Wächtler: Untitled. 2013. HD film with sound (14’14’’). Courtesy: the artist & Galerie Lars Friedrich, Berlin

Mathias Toubro: Cigarettes beads, matches (Antico Caffè Greco, Rome). 2022. Matches, wooden beads, cigarettes, match heads, office glue, wood glue, candle wax, mirror, acrylic paint, gouache, water color, salt, wood stain oak and walnut. Eyeshadow (HOWDY!) velvet powder, varnish, hairspray on color inkjet on mdf on polystyrene. Artist frame in faux European oak. 52 x 97 cm

Elisabeth Molin: since the. 2021. Aluminium frames, privacy films, texts. 17 x 30,5 cm (each)

Elisabeth Molin: since the (last month) + since the. 2021. Aluminium frames, privacy films, texts. 17 x 30,5 cm (each)